Practical Session- focused on the production of cinema grade sounds from cheap household objects.
Mic used- Audio Technica Directional Rifle Mic. Narrow spectrum Sound capture.
- When capturing foley effects, two mics may be used through one Marantz (check levels individually with split L/R controls- preffered recording can be chosen later. For example use a rifle Mic for detailed directional sounds and a dynamic kit mic for a larger sound (broader range, wont peak at higher levels.)
- Comb/Brush- scrape bristles for crunchy, creepy-crawly effects, ice breaking etc
- Cornflour- leave in bag or box, squeeze for very realistic snow crunching effect
- Slinky- extend and strike for Star Wars style phaser/laser sounds (used by Ben Burtt in Star Wars)
- Generators, Vending machines, air conditioning etc- all work to provide background hum and atmos, useful in many scenes.
- Carrots, Celery etc- twist and snap to simulate breaking bones, ice etc.
- Steak- punch for realistic meaty impact.
- Cabbage, Cauliflour etc- use a knife for stabbing effect (used in Halloween).
- Shower- use conventional or hyrdophone mic for rain effect.
- Melon- scoop inside for gooey, slimy effect
- Wafers, crackers, biscuits etc- snap for bones, eggshells etc
- Gas cylinders, propane tanks etc- strike with metal for bell effect- great reverb
- Cocunuts- use dry halves on plywood for horse hoof beats.
- Pineapple- rough skin for abrasion effects, rough skin etc
- Knotted rope- spin around head to create whirring wind effect
- Dogs bark- reversed and altered provides a wide range of alien/monster effects (used in Jurassic Park)
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